Live Review: A Place To Bury Strangers @ Club Mayan 3/14

With no curtain to conceal their presence, the bare necessities of the band set in place, and a final stare into the house lights, A Place To Bury Strangers took the stage at Club Mayan last night in a smoky haze of fog as the lights dimmed.  Those lights would never come to full life again during their set, but the pulse of strobes would give all the lighting needed for the experience.  The fog covered Oliver Ackermann, Dion Lunadon and Robi Gonzalez on stage, while the crowd became enveloped in the wall of sound that A Place To Bury Strangers (APTBS) traps the audience in.  It was the most genuine musical experience of the night even though they were slotted as the opener.

A Place To Bury Strangers are built for the dark and smoky clubs.  The ones where you preferably have to take 15 or 20 steps down under the main club to find a dark room with a stage along the back wall, and dark-clad individuals lining the interior and occupying the bar stools.  Last night APTBS was in a larger setting as the opener for The Joy Formidable.  They’ve played bigger stages before, opening for Nine Inch Nails in arenas in 2008. So even though Club Mayan may not be the ideal place for fans to experience the band, APTBS still created an overpowering sonic experience to fill the venue.

Oliver A Place To Bury Strangers Club Mayan

Oliver Ackermann provides the vocals and guitar that drive the live performance of APTBS.

The fast pace of “Deadbeat” was a enthralling and visceral experience.  Ackermann  and Dion join forces for vocals on the chorus, and the dizzying sound of Ackermann’s guitar screamed above the drums.  With the sound of APTBS the drumming is an extremely important force in the live show.  At times, the drumming of Robi Gonzalez is the only clearly defined sound releasing from the stage.

Lunadon was an absolute beast on bass throughout the performance.  Taking a few moments to enter the crowd with his bass guitar high in the air, he’s the more crowd-aware of the two guitarists.  Consistently plucking the bass strings from their board, he tossed out the broken strings throughout the night.

“So Far Away”, the latest single off of the Onwards To The Wall EP, was played flawlessly live.  The song and its performance create an almost unsettling tone for their live show.  There’s something mysterious and all together unnerving about APTBS and the way they play.  It feels as is you are trapped in a horror film, consumed by the thick air around you, all while being dosed with the mind-altering substance that psychedelic rock of this nature expels.  You’ll find yourself lost in the music during APTBS, and last night was no different.  Ackermann dragged his speakers across the floor at one point, positioning them directly in front of the crowd that was front and center.  Waiting patiently to release his sound on the audience, he journeyed through a psychotic chord that vibrated throughout Club Mayan.  APTBS plays loud, and it will rattle your brain for a few hours after their show.

The Joy Fromidable Mayan Club Los Angeles

The Joy Formidable brand of shoegaze was drastically different from APTBS psychedelic noise barrage.

On a night where the latest happy-go-lucky shoegaze act was the headliner, there was a palatable difference between A Place To Bury Strangers and The Joy Formidable.  There’s no painted-on smiles, cute lighthouses or harps on stage, and definitely no room for playful banter between the band members when APTBS is on.  While both acts may ultimately be grouped in the renaissance of the shoegaze bands that is occurring, there was only one act that dared you to turn away from their sonic display.  A Place To Bury Strangers did that and also rattled some bones at the same time.

4 Comments on this post

  1. I have no idea how you could give any sort of accurate review on this particular night since the Mayan Theaters sound was HORRIBLE. The high, hollow ceiling structure and lack of house speakers made this event crap! From what I could make of the mix in different spots of the room, the sound guy might have been on drugs too. Oh and there was NOTHING cool about 2 small stage spot lights pointed at APTBS singers shoe and a fog machine. People were pissed! I love APTBS but it would have been more enjoyable to hear them through a hand held radio on the crowded streets of LA. Waste of $30.00.

    By the way BIG BLACK DELTA, that band that seems to snag all the opening slots on great events like M83 and Joy Formidable needs to go away! That was the second time I’ve heard that band bore the hell out of everyone. BIG BLACK’s electronica-gaze nonsense designed to captivate impressionable, confused, hipsters and failing to do so, really needs to stop. Are people scared to say they don’t like this band? I heard hundreds of people talk through their set and about 5 hand claps after each song at both the M83 show and Joy Formidable. Promoters! use the opening slots for more deserving up and comers please!!!! We get it BIG BLACK, you have friends in high places and your label pushes you but our ears don’t like it! thanks!

    Jason Litty / Reply
    • Concerts should never be at the Mayan- it’s a salsa club, enough said. Now that the Fonda is back in operation, we shouldn’t have to worry about shows getting sent to downtown LA’s salsa club. Regardless, APTBS did what they could with the situation they were given.

      Ronnie / (in reply to Jason Litty) Reply
  2. That wasn’t J Space drumming that night.

    Fan / Reply
  3. [...] sound vibrates from wall to wall, creating a sonic distortion in the mind of the listener.  We reviewed their opening slot with The Joy Formidable last month, and while the guys in APTBS were up for the task, the sound system wasn’t.  This time [...]

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